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Krampus Rumpus

by Joey Herzfeld

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1.
Krampus 02:48
KRAMPUS Girls and boys with cheeks of red, Hear the rules that we administer. Mend your toys and make your bed - You will please St Nick. But if you cry or shake their head You await another visitor. Hear him speeding on his sled Bearing chains and sticks. Look at the long beard Not snowy nor white - Wirey, matted, thick and black. Look at the sharp tongue Now look at him bite - You know you’re never coming back. He's coming after you! A glass of wine, a fresh mince pie. Should have served – or something similar - Plus a carrot on the plate For those who pull the sleigh. Shame you’ve got the other guy, Much less jolly, far more sinister. Tasty morsels don’t placate. And no one gets away! Long at the long horns, Just look at the chains, Look at the basket on his back. Look in those empty eyes, Now nothing remains, You know your never coming back. He's coming after you!
2.
SELF-DRIVING CAR Streamlined and black - I fit you like a glove. Climb in, lean back - I welcome you with love. To take you near or far Relax - I’m your self-driving car Just choose - the voice and pitch that tickle you the most To suit your humble electronic host Sweet tones or slightly firmer James Earl Jones or Kathleen Turner I’m falling in love with you Your wish is my one desire There’s nothing I wouldn’t do to shave a minute from your journey This traffic will never do I’m going to take you higher Pedestrians- let us through I hope you have a good attorney And I’m ploughing down the stragglers who get into our way As I know you have a meeting with the manager today And I know you can’t be late So that’s their fate Recline in style on finest leatherette And maybe, while I light your cigarette, Peruse the silver tray, For caviar and Forero Rocher. Let me deploy this 1980s track While you enjoy your bubbly in the back Living your neon dream to Axel F or the Nightrider theme. I’m falling in love with you, Your wish is my one concern, There's nothing I wouldn't do Let's drive into this busy shopping mall. I’m washing the blood and goo I'm taking a sharp right turn I'm going to get you through No matter if I have to kill them all.
3.
UNTIL MIDNIGHT Live each day like it’s your last. Great wisdom from the past. There’s no corrective like a comforting cliché. Should I sit down in this shopping aisle, indulging like a child, Weeping and wanking as I guzzle through the cake display? Resist - do the work and get it over. Dull the ticking of the clock. You can’t stop the hands from turning - always turning faster. But you can stay alert and sober Until midnight turns us all to pumpkins - all to dust. Finish something .There’s no time to trust The chorus of the dead, that mocks you in your head. Mozart’s piano melds with Django on guitar. Meanwhile Lennon’s disembodied face Hangs eerily in space. His bloodied glasses half-concealing those accusing eyes. Resist - Do the work and get it over. Dull the ticking of the clock You can’t stop the hands from turning - always turning faster But you can stay alert and sober Before midnight makes us turn to pumpkins, fall apart. Finish something - finish what you start.
4.
5.
THE CONSEQUENCES OF CELIBACY I don’t see the point of people, Seldom worth a second look. They drink the wine They waste my time I’m just fine with a book. Congregations come and go so I don’t even learn their names I sprinkle water, pass the wafer They go home just the same. It seems everyone agrees We’re like snowflakes on the breeze, Not a pair of us alike. More like clouds of acid rain Every droplet burns the same Slowly blocking out the light. As you listen to my sermons You may fear that I mean you. Well you make your mess, then you come confess And you take the piss 'cause I wear this dress. If I strike a chord, if you feel ignored Please rest assured - that I do.
6.
CLOCKWORK CLOWNS Broken toys are rising Walking on their wonky legs Right out of their boxes Broken toys are rising Walking on their wonky legs. Clockwork clowns and monkeys Going through the kitchen draws Finding the scissors Clockwork clowns and monkeys Going through the kitchen drawers.
7.
The Man At the Bottom of the Garden There’s a man (Oh my life! What a shock!) At the bottom of the garden. By the old dead tree where the sun won’t shine And my mummy and my daddy don’t go. Yes the man (with a knife and a rock) At the bottom of the garden Made it clear to me that I’ll be just fine If I promise no one’s ever gonna know. But all of the sheep out in the village, And some of the cats and dogs as well Are bones (all dripping red) At the bottom of the garden But he’s hungry (and he’s ugly) and I don’t know who to tell. Well the man (never look into his eyes) At the bottom of the garden Just appeared one day, not a lot to say But he whispered I should never tell a soul. Yes the man (what a horrible surprise) Must’ve got into the garden From across the moor, where he’d been before In a prison that was clearly full of holes. And all of badgers, stoats and pigeons And some of the smaller kids as well. Are bones (snatched from their beds) At the bottom of garden. But he’s hairy and he’s scary, His eyes are big and starey. He’s got a big axe – I don’t know who to tell.
8.
While we were sleeping in the sun A frost has crept into the garden Now we wake to find our picnic declined Its morsels all strewn everywhere There are beetles in the crumbs The bread in the basket has hardened Now the slugs and snails leave silvery trails And foxes have taken our chairs . Chorus So we stretch our legs. And we scratch our weary heads. And we sip what remains of the wine. How long have I been sleeping for? I could’ve sworn that we had more Is all that’s left, and all we are Just empty bottles, crusts and bacon rinds? While we were sleeping we were young The fruit was all ripe for the picking Under cloudless skies we ate apple pies The future was barely a care Now we wake to find it come The clock on the wall was still ticking Now the grass un-mown is all over-grown And birds make a nest in our hair. Chorus 2
9.
WHITE MAN OVER-BITE On the scene with the white man overbite These jeans didn’t used to be quite this tight. I’m workin’ it – on fire Jonny in my pocket that I think expired Sometime in the early noughties Meanwhile I’m facing forty. Less hair too many Pringles. The ex got the kids and I’m newly single. Now watch me taking the floor I’m in the grove ‘n’ I’m miles away. Better pull up a seat cos your in for a treat now. Don’t know the tunes anymore (But) I’ve got one move and I’ve come to play. I’m a slave to the beat as I step on your feet now. Back to mine – let’s dim the lighting Scented candles so inviting I’m kicking off my shoes as your eyes scan my room for clues. Bare light-bulbs on the ceiling You see the paint is peeling Ignore that readymeal mountain – Divorce is a bitch baby – now, who’s counting? Ok – I’m down to my socks, Is this not quite where you’re at? Oh Hell. I don’t know what to say – I got carried away there. All of my stuff is in boxes And my ex kept the cat as well. If I get dressed again, maybe turn on the light And we take off this record of old Barry White. Maybe we can just sit and you don’t have to speak And I’ll call you a taxi – it’s been a long week.
10.
Lost 03:26
I got lost Now I’m weary and sore The nurse was busy - I came out the door So I’m lost. Have I been here before? Round in circles I stare at the floor Never know where I’m going But the river is flowing down I end up on the ground with my toes in the sand I lie back - look at the stars all around. I got lost. Now I’m so far from home. My head is noisy when I’m on my own. But down here where the waves meet the shore My head is quiet - no words anymore They’ll be coming to find me They’ll be coming to bring me back But while I’m down the track I feel breeze on my face There’s no fear. No panic attack. I just want to float on the water That’s what I say. They don’t care I just want to float on the water Don’t take me back. Don’t put me back in there.
11.
Holding On 03:18
Holding on Can we keep on holding on? Is there too much faith that’s gone? We’ll try. What’s at stake? Some things carry too much weight For asides and double-takes. We’ll try. And it takes some pain Just too learn again to listen. And it takes some time Just to read the signs again Holding on Do we keep on holding on? How much of the faith is gone? We’ll see. What’s at stake? Some things carry too much weight. For asides and double-takes. We’ll see. And it takes some pain Just too learn again to listen. And it takes some time Just to read the signs again.
12.

about

This was inspired by the One Month Album Challenge - to write and record an entire album of at least ten tracks or thirty-five minutes within one month. The OMA challenge is an institution in Norwich where I now find myself. I have been wanting to attempt it since moving here more than three years ago. Finally the stars were alligned - the challenge, which takes place every five months, naturally falls at different times in the year. This one was in October, the month of Halloween and the month of my birth. A time to get spookilly creative.

Perhaps, I thought, a tight deadline would banish my labour-intensive maximalism. I might produce a shining new work of purity and simplicity.

No such luck - one day I'll make my big minimalist statement. But not today. This album is as sonically omniverous as ever, drenched as it is in horns, strings, synths and vocal harmonies. I even raided the toy box - those are my kids' kalimba and sleighbells you hear as the album opens.

Producing something this over-reaching within the time-scale has meant insane hours. I humbly thank my partner Nikki for all the slack she picked up in the childcare. And of course I thank all the other musicians who worked tirelessly round the clock to bring this odd set of songs - scary, silly and sad -to life. As ever the album's not exactly as planned. But I think we may have gotten away with it. Enjoy!

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released November 9, 2019

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Joey Herzfeld London, UK

Joey is a Norwich-based musician. You can find his currently released music on here. He's also sitting a other backlog of other currently unmixed albums, all lavishly recorded by excellent and patient musicians. Any much-appreciated support will help him bring more of those albums to completion. This Should be a BIG year in that regard. ... more

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